The blue shirt

The other day my daughter and I remembered a blue shirt that Patrick used to wear. It was a striped affair, one I had bought him for Father’s Day or perhaps his birthday. It was so very beautiful on him, so beautiful that I placed it in my mom’s cedar chest, a special place for beloved baby clothes, “blankies”, and wedding dresses. Things of that nature.

Patrick would have been 61 this August and after 3 years, on a day so special, the memories are still very strong.

Today, Bea and I traveled to PEI, her suggestion, as she thought it would make the day go easier. And it did, even though I had a splitting headache this morning and was nauseous three quarters of the way there. It’s rather funny how grief operates, even two and a half years in. The draw to familiar places and routines is so very strong and to ignore or belittle its power can be detrimental.

So, we drove along over the bridge with its overcast skies, presented our appropriate papers and identification, and found ourselves at the traditional stopping place after arriving in PEI, the Tim Horton’s driveway at Borden-Carlton.

Totally deja-vu.

You might ask why we put ourselves through this.

I might not be able to tell you except that we just have to in order to make it all right. I know from experience that this will not always be the way. It just has to happen now.

Just like I have to make my profile picture one of Pat,in that blue shirt, around midnight on August 29th.

The month of August is the pits for us. But it is also one of beauty. Someday it will just be beautifully normal. That is so totally how grief rolls .

One of Pat’s favorite singers was Joni Mitchell. So tonight as I remember him on his 61st birthday, drinking one too many rums, I listened to “Blue” thoroughly , for the first time.

And I remembered my beautiful, handsome, kind, funny, and understanding husband in his beautiful blue shirt.

Thank you so much for your patience, Pat.

I will always love you.


I am a hooker- a primitive rug hooker, that is. My latest rug is called Among the Fiddleheads.

“Do you like fiddleheads?” my brother asked when I sent him pictures of how the project was progressing.

“No”, I replied, “but I think they are one of the most beautiful things in nature.”

When creating a pattern for hooking, I sometimes do not know what the end result will be. That is a departure from my earlier work, but I am less uncomfortable with the unknown now which perhaps accounts for the difference in planning or lack there of, when it comes to creating anyway.

Among the Fiddleheads actually just started with a house, one of Deanne Fitzpatrick’s templates. There was a reason I chose this house. Its style is a common one found throughout rural Nova Scotia and New Brunswick; its characteristics always make me feel loved whenever I come across one, unexpectedly, on a beautiful road trip day.

The lines are simple and elegant, the color is often bold and its moldings become its outline on a clear day. Any way it’s colored, this house style speaks to me.

“The fiddlehead turns on itself but only ever in love”

Matthew Dickman, Fiddlehead Ferns

During the month of May, just passed, I engaged with my elementary students online, and one of our lessons was to create fiddleheads through simple drawings. Their classroom teachers shared videos about the wild, sometimes edible plant as well. It was a fun lesson. I even showed them how to make one out of pipe cleaners. I could have made a zillion of them.

It was a natural next step then to incorporate fiddleheads in my rug hooking. Their whimsy is perfect for my way of speaking.

In his poem “Fiddlehead Ferns”, parts of which I shared with my students during cyber learning, Matthew Dickman writes, “the fiddlehead turns on itself but only ever in love”.

And that is how I feel sometimes when the world, or at the very least, my world becomes too much. To protect myself, and my daughter, and our memories from another time, we need to close up tightly on occasion to feel the love from our other life.

Slowly the unfurling process will happen again. A gentle nudge from the spirits above often get us going again. Or the need to help others in pain.

I believe in signs and have a strong faith. I have seen the ways of Christ in so many people I have encountered and continue to meet. They are as comforting to me as my home. They act upon my own spirit in ways I find too difficult to explain, except to say that these signs are so powerful and yet manifest themselves in the simplest of ways.

An example? I received an email one day from a woman, a new acquaintance through Bea’s church youth group. She had left a book at my door that I was looking for, and just wanted to explain from where it had come.

She signed her communication with “go gently, Ann.”

Go gently? At first I experienced some feelings of paranoia. What had she been hearing, or possibly observing, in Bea?

But then I thought of the Huxley quote I like so much that talks of doing everything lightly, even the hardest things, and I got it. I understood.

And I realized, with her words, that I don’t want to do loud anymore. It has to be gentle and light, touched by those who know what it’s all about. Shabby and worn and loved. That doesn’t mean I cannot deal with the real world- hardly.

But, I am hopeful to have found my center, at least for the present. It involves a lot of observing and listening. And remembering. It’s breathing deeply and often creating. It is waiting on the big things to be absolutely sure, while taking care of the small things to keep it real.

So, among the fiddleheads I am unfurling slowly, mindful of my beautiful vulnerabilities that are really my strengths.

And recognizing those people and their actions, in real time and in hindsight, whose influences are so profound.

You will see me pass

Moses and God had a unique relationship. I think you might say it was one of mutual admiration. As Moses and his lord worked out details for the trek to the promised land, God only appeared to Moses through a cloud. As plans became finalized, Moses asked if he could see God’s face. To which God answered no; no one can and live. But he did allow Moses to stand in a specified area, covered in such a way so he would see God’s back”. (Exodus 33 NVM)

I have been reading Learning to Pray, A Guide for Everyone by James Martin, SJ. I am almost half way through and have gotten to his explanation of the daily examen. I was not raised a Catholic and for years believed it to be a very confining and strict religion, whose main teachings centered upon feelings of shame and guilt.

I watched my husband respect his mother’s devout Catholic ways, and as I have said in a previous blog, he was a good Catholic boy to his mom. But he had questions and anger along with shame and guilt for having those very doubts. I believe it was something he tussled with on some level until the day he died. And that’s just not the way your relationship with God should be. There is no room for shame in any area of a person’s life; guilt maybe, although I am even less sure about that now.

Enter the teachings and writings of Father James Martin, SJ. I cannot even remember from where he came accept it was getting close to Lenten season one year, and I was looking for some solace and understanding after the loss of my mother from the previous Easter. I picked out Jesus, A Pilgrimage from the bookstore shelf, and my journey into the life of Jesus, the man, those three years leading up to His crucifixion and resurrection, began.

As did my reading relationship with Father James who has helped unravel some of the mysteries, and yes, atrocities, of the Holy Catholic Church; he has also shown me the power of the human Jesus and consequently the power of prayer when speaking to the divine, be it with Jesus directly, his mother, or one of the many saints I have read about in Martin’s books.

What a richer, far peaceful, and more tolerant person I have become.

You will see me pass.

 An ancient practice from the early Church, The Daily Examen has been adapted a number of ways, but its basic premise is to stop and examine your day and God’s presence in it by being present, grateful, and willing to review every aspect of your day. In this way, you may see patterns of behavior that you appreciate in yourself or that may need to be fine tuned. It’s time spent with God as “ignited” by the Jesuit scholar and saint, Ignatius Loyola, who believed it to be God’s gift to all.

I see value in the examen, which I had learned about before Patrick’s passing, but fell away from in the trenches of my grieving. Martin’s book has reminded me again of its power, however, especially in the many ways God passes through my life everyday. I may be only seeing his back, but in those quiet hours of darkness and silence, or when I am writing in my journal, I recognize His consistent presence in my life.

And it is so very soothing to me: the sound of a mourning dove; soft breathing ; a gentle motion, word or touch.

You will see me pass.

My Bea says when she pictures God, they are a giant heart with two hands, one the color of the night sky, and one the color of bones. I have always pictured God and Jesus as separate entities, both male; I feel closer to Jesus and His teachings than I do to the God of those Old Testament stories, violent and punishable.

So, it was interesting to begin this blog so easily picturing God and Moses struggling to compromise. According to Martin being able to imagine yourself present as Jesus taught, or as Noah built, or as Lot’s wife looked back, is one of the most powerful ways to commune with the Holy Spirit.

I believe it to be so:

Physically he is tall, and yes, for me, male. He is so very gentle in his movements, emphasized by the soft movements of his long coat or robe. It’s dark, and blends in with the night. And while I cannot see his face, it’s turned in such a way that I know he sees, a downward glance, to the right.

You have seen me pass. Take notice.

I will.


I just can’t help believing

I love the creative’s time consuming and takes patience, can be costly, and forces you to look at your mistakes, but I love it.

Within the last 5 years of my teaching, I have used this same approach more than a lot to develop lesson plans in both English and Visual Arts. Before I even face the kids , I have sketched out ideas of themes, artists, and writers that it would be fun to explore.

And then, I immerse myself in them.

Kids will buy into whatever you are teaching when they see your honest enthusiasm in the subject matter; the learning will follow.

It also helps to develop relationships with kids, this positive energy, and let me tell you, once you have that relationship developed, it’s often gravy after that. Teaching Shakespeare or sketching Frida Kahlo’s portrait, uni-brow and all, becomes a classic experience of fun learning at its best.

One year I remember teaching Frankenstein to my Grade 12’s and they referred to me as “Miss Shelley” the rest of the semester. Even when they didn’t like Sylvia Plath, one class apologized for their lack of commitment to her work: “sorry Mrs. G, we just don’t get SP”.

As educators we have to be creative, we have to do a bit of entertaining (okay,maybe a lot), and we have to believe in ourselves and have faith in our audience.

So when I stumbled upon rare footage of Elvis Presley working through the B.J.Thomas hit, “I Just Can’t Help Believin’, it was a reassuring pleasure. The teacher in me sees the king’s process and watches with interest, those early stages of brainstorming, the enjoyment of putting the pieces together, not worrying about the finished project just yet. The clip starts with the rehearsal, and then takes us to the live show in Vegas where a very human and nervous EP is still fixated on forgetting the words. A busy mind indeed.

Minutes before the performance, he asks to have the words placed on a stool. Fascinating. Smart. Resilient Self-reliant. Supported.

All good things to have and to be when you are the king of rockin’ roll, an educator, a human being, a griever.

Life needs you and me to be creative. And self reliant. And all of the things the king showed himself to be in that short movie clip.

So never stop believin’ in what hangs around that proverbial corner. And while you wait immerse yourself in living: reading what you like, developing skills long forgotten, listening well and watching keenly.

And create. Please create.

Making do

Growing up in rural Nova Scotia often meant making do until we got into Amherst to get groceries on payday week.

We were a family of sweet tooths so come Wednesday night it was not uncommon for mom to make us some simple homemade egg nog as the treat cupboard grew bare.

She called this “making do” until grocery day.

I found myself using that same phrase in a text to a friend recently; it was concerning Patrick.

I just want him to be at peace, I wrote. We will make do down here.

I always, always picture Pat resting and happy, wherever he is in his heavenly space. I cannot think God intends our departed loved ones, whose struggles on earth are done, to continue struggling in their non-mortal state.

Thus I pray that he is fishing his favorite rivers, and spending time with loved ones. It is also not improbable that he is helping out wherever help is needed. That was always his way.

We can make do down here without him.

In no way am I playing the martyr when I say this either. I would much rather have mortal Patrick with us right now. His sweet smile. His boyish charm, wearing his baseball cap. But, here we are, so– it is his time to be content. And while he would be the first to say he had a wonderful life going on, it was not without its serious struggles, and I think of those so much now, in light of our own trauma. I do not think it would be right then that he be living our sadness and our pain. He is not.

I have spoken to you about finally experiencing Pat’s presence in an earlier blog. I have craved for his attention in my loneliest hours and seemingly got nothing.

I have realized that his voice does come through on the clearest of days, however; after I have had a chance to get out, to take a drive, or on the walk back from the elementary school after being with the littles.

It’s like he chooses the moments when my reception is at its best. I’ve a clear mind and a full heart. He always loved to see me happy, and laughing, and doing things.

Because we laughed together everyday. I am not so sure that it wasn’t his objective in life.

This past Saturday I hauled out a selection from my favorite collection of craft magazines and went to work green taping pages of possible projects. Bea worked with me while we drank coffee, and ate toast and peanut butter in bed.

It was us making do.

I think if there is one thing Patrick’s death and this pandemic has instilled in us, it is the fact that this is the bowl of cherries we have got, so what can we do with them? And in our case personally, it has to do with what can we do to always commemorate the man who kept us going and brought us up when we were not so good.

We make do. We make. We draw. We rearrange furniture. We listen to crazy YouTube-ers of our daughter’s generation, that Pat would have absolutely loved.

We build a life that works for us, right now.

And when we do that , we find him.

Praise God. And our Saint, Patrick.

“When the stars take their ride”

Perhaps one of the most melodious singer/songwriters for me has to be Gordon Lightfoot. On a morning drives to school this week, I couldn’t help but be close to overwhelmed by the combination of his words, his voice and his music.

His use of figurative language in combination with strong images is poetry and story. Each song is an adventure that has a strong beginning, a memorable middle, with a definite ending. Many are riveting ballads that repeat the first stanza for the closing sequence of events; but lots more tell a simple narrative, with simplistic language, yet pull a powerful punch.

When I was still living with my mom, and we were getting ready for school in the morning, I would often listen to Gordon Lightfoot as she made my bed and I puttered about my room doing God knows what. One day “Rainy Day People” was playing. It got to the part when he sang:

Rainy day people all know there’s no sorrow they can’t rise above

And my mom said, he doesn’t often write something positive, does he? That is very lovely.

I guess it was, but first I had to get over the surprise that my mom was listening to what I was playing! Lol! I never hear that line but what I think of her and that moment. And it is a beautiful sentiment and it makes me think about who my rainy day people are, who I thought they were, and was mistaken. It makes me also ponder what it takes to be a rainy day person, and if indeed I am one, or could be one, when asked or for that matter, not asked.

My aunt, who is a big Lightfoot fan, loved his song “Mother of a Miner’s Child”. It’s on his Old Dan’s Records album, one I used to borrow from her quite often until I was able to purchase Gord’s Gold, a fabulous compilation of his work. She drew my attention to its soft melody and beauty. And again, my thoughts turn to her and that conversation when I listen to it. There are 2 very poignant lines for me, She will never fail me ’cause I know/I watched her grow, poignant because I think of Pat and his patience with me as I grew from a somewhat spoiled, self-serving individual into a soul who valued his patience and guidance as I navigated this world as a too innocent, too trusting woman.

I have been fortunate to see Gordon Lightfoot in live concert three times. Once as a university student in Halifax. My Auntie from Annapolis Royal treated my friend and I to the show at the Rebecca Cohen. He wore black jeans and a soft white, long-sleeved shirt, and we sat in the balcony enjoying the sights and sounds. I figure he was close to 50 years old at that time, handsome, in fine figure, and strong voice.

Then, approximately 4 years later, I brought my new beau, a fella named Pat, to a Lightfoot concert at the Moncton Coliseum. Well, to be fair, he brought me, but I paid for the tickets. It was a lovely night. I remember how impressed Patrick’s brother Paul was with the idea that a girl would choose a Gordon Lightfoot concert as a date!!

He played his East of Midnight material unplugged, which was, in a word, heavenly, and so much more suitable than it’s original arrangement. “I’ll Tag Along” became Patrick’s favorite, and he told me later how his feelings for me grew so much more after listening to that piece, sitting beside me that night. How does a girl get so lucky to have a guy in her life that would think that, let alone tell her?

The third time I saw him, Pat and I took my Aunt Joan to Halifax, where we met up with her son, my cousin, and his wife, to enjoy a Lightfoot performance at the Halifax Civic Centre, a very large venue. His voice was not very strong, but if you closed your eyes and really listened, you could hear the familiar lilts to his voice, and that was enough.

Incidentally, we had a a fine supper at my cousin’s home and we had a great visit. I am so glad that happened.

My love affair with Lightfoot and his music began (I think) when I started my university career. My father enjoyed his music, especially songs like “The Wreck of the Edmund Fitzgerald” that had a historical significance. In fact Dad loved this part from the famous ballad:

When suppertime came, the old cook came on deck sayin’
“Fellas, it’s too rough to feed ya”
At seven PM, a main hatchway caved in, he said
“Fellas, it’s been good to know ya”

Wreck of the Edmund Fitzgerald (G. Lightfoot)

CKDH, Amherst, often played this song on weekday mornings, and the image of my father drinking his tea in his rocking chair, always comes to mind when I play this song.

I had a huge crush on Gordon Lightfoot really. Looking back, I am sure it had to do with missing my father, and the grieving process, and wanting to stay connected with his memory any way that I could. I saw Lightfoot as that connection. It’s not that surprising now that I know so much more about the grieving process, my sensitive nature, and the typical characteristics of an introverted personality (which involve celebrity and fictional character adoration).

I have so many defining Lightfoot favorites, that it is hard to narrow it down to just one. I am going to leave you with a playlist, however, should you be interested in having a listen. The one I am going to actually attach to the blog is called “It’s Worth Believin'”. I love the line, when the stars take their ride, because I have done so much communing with the stars and that heavenly space lately.

It also mentions the family cat coming in for the night, and how relatable it that? Just sayin’.

And in closing, I have to mention the voice of this man, Gordon Lightfoot. At times strained, and so very different from his early debut as a folk artist, it’s late 60’s /70’s sound was incredible. Maybe it was the booze and cigarettes, I don’t know, but it was divine.

Enjoy the music. I do and will, along with the memories it invokes within me. I close with a personal playlist of favorites, shortlisted. Please add your own if commenting on Facebook or in the comment section if you follow my blog directly. I would love to know your favorite Lightfoot song.

  • Rainy Day People
  • Mother of a Miner’s Child
  • The Wreck of the Edmund Fitzgerald
  • Carefree Highway (a challenge to play on guitar according to my brother)
  • Now and Then
  • Circle Is Small
  • If You Need Me
  • I’ll Tag Along

It’s decidedly so

When I was young I had a Magic 8 ball of which you could ask questions of a simple yes or no answer. It could respond in a rather ambiguous nature: “as I see it, yes” or “most likely”. It might also be more foreboding with its quips saying, “better not tell you now” or “outlook not so good”.

On the rare occasion you would get a definite answer such as “it’s decidedly so”.

My friends and I would often ask questions of a relationship nature or perhaps whether or not we might pass or fail an important exam or test. Eventually it lost its prediction prowess, however, as it was shaken too vigorously one too many times.

This all comes to mind after I received a package of business cards in the mail today which I ordered on a definite whim a week or so ago. I have referred to my dream of owning a small handcrafting business and somehow I talked myself into putting the business cards before the business. Just a bit more of that working from the top down idea, I guess.

It also reminds me of when I established this blog a year ago. I had no clue where I was going with it, but it has been wonderfully good. So I know I can work away at this little handcrafting venture with the intent to bring joy to self and others.

It’s funny, when I lived in Athol, I wanted to buy one of my neighbor’s houses to run as a small shop of curiosities. It would have been the perfect setting: whispering tall trees by the river, sweet empire roof and a wonderfully historical, whimsical feel. Brown roofing shingles, pink clapboard siding, and a raspberry red door. Lace valences in the sun room windows. A delicious looking cupcake.

I wonder, if I had had the magic 8 ball to consult, what it would have said to the question: will I ever own Ruth’s house?

Reply hazy, try again.

Yes. Well.

So maybe Ruth’s house is no longer in the picture. A lot of stuff isn’t. But that doesn’t mean the vision is not. It faded for awhile but it is coming back. My beautiful heart is strengthening to catch up with my mind.

Do you know how hard it is to grieve? And everyone does it so very differently, according to their own creation. For me it has involved reconnecting with my past a lot. Not because I want to live there, but to visit is just fine. In many ways it makes me happy. And I want to build on that happiness.

It is also a place of compassion. I came from a home, a village, a community, of hard working, creative, compassionate people. It was a very special place and a very special time. And everything I write about, create, and envision has its roots there.

Not everyone has had that experience. Some people can hardly wait to grow up and leave home. I was never one of those people. I developed very slowly in that department so I was very lucky to have a patient, loving mother and a husband to die for (to quote my mother).

They provided me with the strength to always move forward despite my challenges of mental wellness and sensitivity.

So when I needed to dig deep I could and I can. Without sacrificing the vision. I just carry it with me, that’s all, in an upgraded version.

So back to the business then. Little pieces of home, lace, ribbon, simple things. Because life is super complicated enough and I know that.

What of it, Magic 8 ball?

Life is tricky bitch, stay in your magic.


When knitting, frogging is the act of unraveling your work due to a mistake such as a dropped stitch or a patterning error. Once fixed, it is then usually necessary for the brave knitter to carefully collect their stitches, the same amount they began with, back onto the needle, and proceed with the project.

It’s not a task for the faint of heart. Especially if you are two thirds of the way done your project, and one wrong move could have you drop yet another stitch, which would then mean more unraveling. Literally, a snowball effect.

I kind of see frogging and grieving as being similar.

And probably why I look to knitting as a way to occupy my hands and my time and my thoughts.

The process of regrouping after accepting “what is”, is a monumental one.

So when our true blue fella vanished from our lives, Bea and I began that slow and tedious climb upward; we began picking up our stitches, so to speak.

And of course there have been mistakes, and heartache, and abandoned projects.

Still are.

But I think if you can see similarities between your creative and grieving processes, you have that proverbial light, at the end of a long dark tunnel, at least established.

I have a plastic tote full of half finished handcrafted projects. Ideas scribbled down in various notebooks of things I would like to try. Fabric pieces are all over my dining room table right now because I hope to establish a little home cottage business as retirement looms. It all works to fill a space, a huge hole, that I strive daily to mend. And to cope with those lonely moments when there is seemingly no one there to fill them up.

But sadly, there are still days after nearly two years, when things still unravel out of control. You do not feel like making things work, or you begin to unravel something, the knots appear and you throw it all out. I have cut out whole sections of unruly, tangled yarn just to put an end to the misery; or I have bagged up every ball of yarn, knitting magazine and pattern, and given it to the Salvation Army, or a co-knitter in crime.

But the urge eventually comes back to take the needles and create something, anything, to relieve that longing for a tangible fix to pain.

And I begin to fill the void and the basket with presents for those whom I love and care about. I just find that with everything there needs to be a break. You cannot knit, hook, read, or grieve all of the time.

But put things in place when the urge hits you to do any one of these things. The notebooks…the the projects yet to be determined, the remembering…they all have a place, be it in my heart or on the dining room table.

It’s what generates hope.

Currently I am working on what I hope to be a lovely wrap that will look dazzling on a special someone next Christmas. It is a divine look right now. I know the pattern so well, I do not have to think about what I am doing and yet I still somehow dropped a stitch which created a “goose egg” in my progress.

I had to go back a few rows and then pick up 89 stitches in order to get back on track. I instantly put it back in the bag.

It was the first thing that came to me the next morning:

You bought the yarn and want to give it as a gift./ I will clean the house and then tackle the mistake./But sometimes you like to take a break and knit between chores./But I might rush it and make an even bigger blunder.

You need to take the risk for your overall well being.

And so I did. What I cannot quite believe is that I was successful in rescuing all 89 stitches within 20 minutes of frogging!

It can be done. Not always, but it can be, nonetheless. And the same holds true for grieving and loss.

I know this because my girl and I have made it this far. And let me tell you it was a climb I thought we would never make.

And yet here we are, functioning, by a warm fire on the other side of winter solstice.

We have challenges ahead: a graduation without a father and husband; family, across the country and across the border; but we also have plans in tiny notebooks and sketchpads. We have love. We have hope. Always hope.

Oh, and knitting.

And frogging.

Singing my Gender

Please join me in experiencing Beatrice’s songwriting. I love her so much. ~Mom xo xo

 I don’t think a lot of people know that I am a songwriter and not just a story writer. I find it’s easier to write songs sometimes, they’re shorter, and require less thought, as well as getting to the heart of my emotions. I have written many songs since I began, which was around grade seven or eight, and it’s always been an emotional release in bad times and a way to keep me on my feet in good times. 

 As I have mentioned in earlier blogs, I am deeply passionate about my gender. So, as you could guess, I have written songs about finding myself through my gender and my experiences with it. I don’t have much of a way to share my songs with others, as I’m a little too shy to sing in front of people (though I’m getting better) and have no real means of recording myself, so I think this is the next best thing. In this blog I will share the six songs I have written relating to gender, along with a snippet of the lyrics. I’ll be doing them in order from least to most recent. So without further ado, let’s start the list. I hope you all enjoy it.

I’ve always been like a boy,
Say it’s just the way I am!
I’ve always been like a boy,
Won’t let anybody change that!

I’ve always been like a boy,
Though I don’t wanna be one!
I’ve always been like a boy,
Like a boy,
And I don’t wanna change it!

This was a song I wrote before I even came out as genderqueer, or even considered the possibility that I wasn’t a girl. I wrote it because I always saw myself as acting more like a boy, stereotypically speaking. I was more than okay with that. I felt that the way I acted was just a beautiful part of who I am, and I wanted to express that.

‘Cause she’s a modern woman!
Don't need no man to take care o’ her! 
She’s a modern woman!
She’ll settle down when she’s good and ready!

First she wants her own house and a job that she likes
Only then will she find somebody to keep her warm at night!

This song was originally supposed to be about me. It was also written before I came out, and I was still identifying as female. I later changed the lyrics so they were about someone else; not exactly a specific person, just the embodiment of my respect for women worldwide and everything they do, whether they’re a housewife or a working woman, queer or straight, white or POC, trans or cis, or anything else. This song is now a dedication to all women – I may not be one, but I sure love them!

 GENDERQUEER WORLD; a fun parody I did to the Barbie Girl song. I quite literally despise that song with every fibre of my being simply because it is so sexist and annoying to listen to. After rethinking my gender several times, I finally came up with these lyrics and spoken intro; 

{a hundred days and a hundred nights I suffered, clinging to the hope that I’d understand myself someday. I broke down so many times, torn between the choices. What am I supposed to be? I guess, in the end, it all came down to one question… when I’m singing this song, changing it’s meaning… what do I wanna say to the people of the world?…}

Genderqueer world, 
Yeah I’m livin’ in my own world!
I ain’t plastic,
But I’m still fantastic!
Hate me if you dare,
I really don’t care!
I got friends who love me,
They don’t think that you’re above me! 

 WHAT AM I?; a song about confusion. This song isn’t exactly just about my gender, but it is one of the issues that went into writing it. This song is also about anxiety, grief, depression, anger management, symptoms of ADHD, loneliness, feelings of worthlessness, missing my past self, and much more, all of which I felt while I was writing it.

And there’s all the songs that I wrote,
All the people I want to cut in the throat,
All the feelings that make me feel like there’s no hope,
Sometimes to get out I’d need one trillion lifeboats!
It’s the pain of losing control,
It’s the pain of my body fighting my soul,
It’s the pain of not knowing the difference between friends and foes! 
What’s sad is that I know everything,  
About everyone,
But when it comes to myself,
It’s like I can’t see the sun! 
So what am I? 
What am I?

 UPTOWN BOY; another parody I did to Billy Joel’s Uptown Girl. It was kind of just a silly thing I made up for my characters, Sam Ryder and Jay Barone, Jay being the ‘Uptown Boy’ and Sam being the singer. Though both characters are actually nonbinary, I just thought it would be interesting to insert them into the song. I had fun with this one.

Uptown boy,
He’s been livin’ in his uptown world,
I bet he never met a small town gal,
I bet his mama never told him why!
I’m gonna try for an uptown boy,
He’s been livin’ in his white boy world, 
And just like any free spirit can,
He’s started lookin’ for a small town gal,
That’s what I am! 
And when he knows,
What he wants,
From his time!
And when he wakes up,
And makes up,
His mind!
He’ll see I’m not so tough,
Just because,
I’m in love,
With an uptown boy!
He knows I’ve seen him in his uptown world, 
He’s gettin’ tired of his high-class toys,
And hangin’ with the other uptown boys, 
He’s got a choice! 

 DON’T CALL ME A LADY; this is one of my current works in progress. It’s a song about how much I hate it when people call me a “young lady” or say things like “act like a lady”. I don’t like these things because the very idea of being “ladylike” is the exact opposite of who I am and who I want to be. When I was younger and someone told me to act ladylike, all it sounded like to me was “stop being who you are, it’s wrong”. I know people don’t mean to hurt me when they say it, but that doesn’t make it hurt any less. I’ve only finished the chorus so far, but here it is;

Don’t call me a lady 
It’s not who I am 
Don’t say “wear a dress” 
Or misgender my ass 
I ain’t wearin eyeshadow 
Or lipstick for you 
Won’t sit like this
Won’t talk like that 
I won’t be that fake person 
I won’t do what you ask 

 So that just about wraps up my songs about gender. I plan on writing more in the future and maybe someday I’ll write another blog about my new ones, or just another blog about my music in general. I hope you all enjoyed, and thank you for reading, it really means a lot to me.


Life Uncommon

Valentine’s weekend. A time to focus on love.

Commercially, a time to focus on couple love which can make it difficult for those of us who are no longer a couple.

The potential then for a sad day full of cynicism and emptiness.

And yet…try walking into a grade 3/4 classroom when they are in the midst of emptying their valentine bags and feel nothing but love and happiness and the overwhelming urge to hug hug hug, even in the time of Covid.

Cuz, you see, I have always loved Valentine’s Day. Before loss, before separation. It can be a time of mystery and secrecy and plain old beautiful friendship. It’s thoughtfulness personified.

It’s a chance to show love anonymously, if that is your thing, or to announce your feelings from the rooftops. And any day that is dedicated to love has to be a good thing.

Any day that lends itself to doing and saying those things you wouldn’t otherwise, that is to say, living the life uncommon, is a beautiful day.

And if you can live a life uncommon for one day, you can extend it to more; I know I can.

I have been given the opportunity to live with a freer heart just recently. Our home is a happier one for it. And fuck knows we deserve it.

It has to do with tapping into a new energy and a new way of thinking. It means shedding an old skin, and ridding oneself of the belief that my old life was the only way to live in order to to achieve.

It means letting go of people you liked and really liked, and thought you needed. It’s living with the hope that some will come back around again to provide a different meaning in my life but knowing I will be okay if they do not.

It is about still being yourself and using your God given strengths to help those who need you the most.

It’s still praying for understanding in all I say and do, but it’s not imperative that I receive that complicity in order to move forward.

It’s in the belief that happiness can be overrated. To think that you can maintain contentment though, the knowing that our simple routines of the day and week will be there for us, creates an underlying theme of peace that my heart craves for, and I think always will.

There is a feeling that I recognize in my core now, that lets me know I am okay, and it provides me with the strength and ability to work with my students and support my daughter, and to just be me.

It’s living a life uncommon.

And lend our voices only
To sounds of freedom
No longer lend our strength
To that which we wish
To be free from
Fill your lives
With love and bravery
And we shall lead
A life uncommon